Tom Patterson theatre (Record no. 17175)
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| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220720142726.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220720b xxu||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | AIKTC-KRRC |
| Transcribing agency | AIKTC-KRRC |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| 9 (RLIN) | 13398 |
| Author | Raymund, Ryan |
| 245 ## - TITLE STATEMENT | |
| Title | Tom Patterson theatre |
| Remainder of title | : A performance space in all directions |
| 250 ## - EDITION STATEMENT | |
| Volume, Issue number | Issue 139 - June |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Bologna |
| Year | 2022 |
| Name of publisher, distributor, etc. | The Plan - Architecture & Technologies in Detail |
| 300 ## - PHYSICAL DESCRIPTION | |
| Pagination | 22-31p. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Theater may have originated alongside religious practice. An evocation of awesome gods perhaps or a joyous celebration of life. Like so many European words, the word “drama” is Greek in origin; and the great theaters of ancient Greece – landworks, in modern parlance, such as that at Epidaurus on the Peloponnese – continue to exert a primal influence on playwrights, stage directors and architects today. In his seminal The Earth, the Temple, and the Gods (1959), Yale professor Vincent Scully argued for the strategic siting of sacred Greek architecture in places that “suggested the presence of a divine being”. The theater had indeed to accommodate comedy and other secular if not blasphemous activities. Nevertheless, there is something essential about many Greek theaters so that topography and ritual and the passage of time seem inextricably linked. Fast-forward to European cities during the Renaissance and subsequent Baroque eras. Theater was now frequently an altogether profane, even salacious, activity. In Elizabethan London, for instance, Shakespeare’s Globe theater on the South Bank of the Thames was an introverted multi-story structure entirely focused on a stage that in turn was open to the sky. This is the context in which many of the Bard’s plays were first performed and which many later theatrical designers still aim to replicate. Stratford, Ontario, is many miles from Stratford-upon-Avon, the hometown of William Shakespeare. This Canadian Stratford is a sylvan place west of Toronto with tree-shaded streets and a river, also called the Avon, that here spreads out to become a linear lake. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| 9 (RLIN) | 71 |
| Topical term or geographic name entry element | ARCHITECTURE GENERAL (AR-GEN) |
| 773 0# - HOST ITEM ENTRY | |
| Place, publisher, and date of publication | Bologna, Italy The Plan - Architecture & Technologies in Detail |
| International Standard Book Number | 2499-6602 |
| Title | Plan |
| 856 ## - ELECTRONIC LOCATION AND ACCESS | |
| URL | https://www.theplan.it/eng/magazine/2022/the-plan-139-06-2022/tom-patterson-theatre |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | |
| Koha item type | Articles Abstract Database |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Permanent Location | Current Location | Shelving location | Date acquired | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Reference | School of Architecture | School of Architecture | Archieval Section | 2022-07-20 | 2022-1188 | 2022-07-20 | 2022-07-20 | Articles Abstract Database |