| 000 -LEADER |
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| fixed length control field |
a |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20180807130222.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180807b xxu||||| |||| 00| 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
AIKTC-KRRC |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Ahuja, Naman P. |
| 9 (RLIN) |
3783 |
| 245 ## - TITLE STATEMENT |
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| Title |
Rudolf Ray in Almora |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
Vol. 69 (4), 2018 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Mumbai |
| Name of publisher, distributor, etc. |
The Marg Foundation |
| Date of publication, distribution, etc. |
September 2018 |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
32-43 Pages |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This essay focuses on the abstractionist painter Rudolf Rapaport Ray who was educated in Vienna in the 1910s and spent two significant phases of his career (in the 1920s and ’50s) in India, seeking inspiration from its spiritual environment. During the latter trip, Ray stayed in Almora with his second wife Joyce. There, his interaction with intellectuals and villagers, and the indigenous materials he sourced from nature, helped develop a style and set of themes that would come to define his oeuvre. Through a close look at some of his works, and insights gained from Joyce’s memoirs and writings left behind by art critics of the time, the author brings to light this lesser-known period in the artist’s life. |
| 773 0# - HOST ITEM ENTRY |
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| Place, publisher, and date of publication |
Mumbai The Marg Foundation |
| International Standard Serial Number |
0972-1444 |
| Title |
Marg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Articles Abstract Database |
