Circle of life: Flores & Prats’ Sala Beckett theatre in Barcelona
By: Gómez-Moriana, Rafael
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Publisher: London EMAP Publishing Limited 2019Edition: 10 December 2019.Subject(s): ARCHITECTURE GENERAL (AR-GEN)Online resources: Click here
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Architectural reviewSummary: The Venice Charter established the heritage restoration guidelines still in use today. Article 12 explains why, in many historic building restorations, a sharp contrast is emphasised between old and new: a visual trope that has come to express a certain idea of historical rupture or discontinuity between past and present. Never mind that most historic buildings are, themselves, products of multiple interventions and adaptations throughout the ages. For some reason, historical changes are never considered ‘falsifications’, whereas contemporary ones are – which is why the latter must always be ‘distinguishable’.
Architects Ricardo Flores and Eva Prats do not subscribe to this ethos of discontinuity so, in their project to transform Barcelona’s Cooperativa de Pau i Justícia (Peace and Justice Cooperative) building into the Sala Beckett theatre and drama centre, they decided to reuse as much as possible of the very architectural components that make up the old building, resituating and adapting them to fulfil similar roles within a new configuration. The outcome is an architectural metamorphosis that is not readily distinguishable; one that appears, on the surface, as though little – if anything – has changed. The reuse of the building and many of its components has revived an urban social relationship with the neighbourhood that was interrupted by decades of abandonment after the demise of the cooperative in the 1980s, almost a century after its founding. Ironically, it was precisely the building’s lack of heritage protection that permitted Flores & Prats to create this architecture of continuity.
| Item type | Current location | Call number | Status | Date due | Barcode | Item holds |
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Articles Abstract Database
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School of Architecture Archieval Section | Not for loan | 2021-2021539 |
The Venice Charter established the heritage restoration guidelines still in use today. Article 12 explains why, in many historic building restorations, a sharp contrast is emphasised between old and new: a visual trope that has come to express a certain idea of historical rupture or discontinuity between past and present. Never mind that most historic buildings are, themselves, products of multiple interventions and adaptations throughout the ages. For some reason, historical changes are never considered ‘falsifications’, whereas contemporary ones are – which is why the latter must always be ‘distinguishable’.
Architects Ricardo Flores and Eva Prats do not subscribe to this ethos of discontinuity so, in their project to transform Barcelona’s Cooperativa de Pau i Justícia (Peace and Justice Cooperative) building into the Sala Beckett theatre and drama centre, they decided to reuse as much as possible of the very architectural components that make up the old building, resituating and adapting them to fulfil similar roles within a new configuration. The outcome is an architectural metamorphosis that is not readily distinguishable; one that appears, on the surface, as though little – if anything – has changed. The reuse of the building and many of its components has revived an urban social relationship with the neighbourhood that was interrupted by decades of abandonment after the demise of the cooperative in the 1980s, almost a century after its founding. Ironically, it was precisely the building’s lack of heritage protection that permitted Flores & Prats to create this architecture of continuity.
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