Form, structure, space - Notes on the Luigi Moretti's architectural theory
By: Bucci, Federico.
Series: Architecture in theory and history Volume 2. Publisher: Portugal AMAG Publisher 2021Description: 84p. | Binding - Card Paper | 22*13 cm.ISBN: 9789895493876; 9895493878.Subject(s): ARCHITECUTRE HISTORY (ARC-HIS)DDC classification: 724.6 Summary: FORM, STRUCTURE, SPACE NOTES ON THE LUIGI MORETTI’S ARCHITECTURAL THEORY written and compiled by Federico Bucci (full professor of History of Architecture at Politecnico di Milano) reflects about the multidisciplinary work of the eternal Luigi Moretti (1906-1973). Roman by birth and temperament, was the embodiment of the intellectual architect with his gaze always open and fixed on new horizons. Throughout his career, right from his professional debuts, he interwove art and architecture and, after the Second World War, he wrote a reflection on the relationships between form and structure, space and time. Moretti’s architecture is among the most original of Italian modernism and this book reveals the complex traits of his theory.Item type | Current location | Collection | Call number | Status | Date due | Barcode | Item holds |
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Text Books | School of Architecture General Stacks | Circulation | 724.6 BUC (Browse shelf) | Available | A2762 |
Browsing School of Architecture Shelves , Shelving location: General Stacks , Collection code: Circulation Close shelf browser
724.5 SUM Architecture of the eighteenth century | 724.6 A+T 50 Hybrid buildings | 724.6 BED Art Nouveau | 724.6 BUC Form, structure, space - Notes on the Luigi Moretti's architectural theory | 724.6 BUR Talk about contemporary architecture | 724.6 CAT Building for tommorrow: Visionary architecture from around the world | 724.6 COH Future of architecture since 1889 |
FORM, STRUCTURE, SPACE NOTES ON THE LUIGI MORETTI’S ARCHITECTURAL THEORY written and compiled by Federico Bucci (full professor of History of Architecture at Politecnico di Milano) reflects about the multidisciplinary work of the eternal Luigi Moretti (1906-1973). Roman by birth and temperament, was the embodiment of the intellectual architect with his gaze always open and fixed on new horizons. Throughout his career, right from his professional debuts, he interwove art and architecture and, after the Second World War, he wrote a reflection on the relationships between form and structure, space and time. Moretti’s architecture is among the most original of Italian modernism and this book reveals the complex traits of his theory.
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