000			nam a22 4500
999			_c10732 _d10732
005			20211116125629.0
008			191227b xxu||||| |||| 00| 0 eng d
020			_a9781472508812
040			_cAIKTC-KRRC
041			_aENG
082			_2DDC23 _a791.43 _bMAR
100			_911440 _aMartin, Richard
245			_aArchitecture of David Lynch
260			_aLondon _bBloomsbury Publishing _c2014
300			_ax, 234p. _bPaperback _c21.5*14 cm
520			_aFrom the Red Room in Twin Peaks to Club Silencio in Mulholland Drive, the work of David Lynch contains some of the most remarkable spaces in contemporary culture. Richard Martin's compelling study is the first sustained critical assessment of the role architecture and design play in Lynch's films. Martin combines original research at Lynchian locations in Los Angeles, London and Lódz with insights from architects including Adolf Loos, Le Corbusier and Jean Nouvel and urban theorists such as Jane Jacobs and Edward Soja. In analyzing the towns, cities, homes, roads and stages found in Lynch's work, Martin not only reveals their central importance for understanding this controversial and distinctive film-maker, but also suggests how Lynch's films can provide a deeper understanding of the places and spaces in which we live. _b Table of contents Prologue: Three Journeys Introduction: Mapping the Lost Highway 1. Town and City 2. Home 3. Road 4. Stage 5. Room Acknowledgments Notes Image Credits Works Cited Index
942			_2ddc _cBK