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| 005 | 20210128121024.0 | ||
| 008 | 210128b xxu||||| |||| 00| 0 eng d | ||
| 040 |
_aAIKTC-KRRC _cAIKTC-KRRC |
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| 100 |
_913120 _aBanerjee, Trina Nileena |
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| 245 | _aGrandeur and Simplicity: The Spectrum of Performance Practices in Assam | ||
| 250 | _aVol.70(3), March | ||
| 260 |
_aMumbai _bMarg Publications _c2019 |
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| 300 | _a92-97p. | ||
| 520 | _aThis photo essay focusses on the mobile theatres of Assam, looking at the inventive means these touring groups use to stage grand productions based on historic, mythic and popular themes for rural and urban audiences. The images provide glimpses of the complex set design, light and sound arrangements, backstage preparations and the spectacles recreated on stage with use of projections. As a contrast to this practice, the writer points to minimalist theatre traditions that continue in Assam such as the Under The Sal Tree festival started by Sukracharjya Rabha. | ||
| 650 | 0 |
_971 _aARCHITECTURE GENERAL (AR-GEN) |
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| 773 | 0 |
_dMumbai The Marg Foundation _tMarg _x0972-1444 |
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| 856 |
_uhttps://marg-art.org/product/UHJvZHVjdDo1MTQ5 _yClick here |
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_2ddc _cAR |
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