000 | 00736nam a2200181Ia 4500 | ||
---|---|---|---|
999 |
_c1827 _d1827 |
||
005 | 20181029122227.0 | ||
008 | 180707s9999 xx 000 0 und d | ||
020 | _a978-81-7305-563-8 | ||
040 |
_aAIKTC-KRRC _cAIKTC-KRRC |
||
041 | _aENG | ||
082 |
_a720.288 _bAGR/SIN _2DDC23 |
||
100 |
_aAgrawal, O. P. _93242 |
||
245 | 0 | _aConservation issues in Asia: sharing good practices | |
260 |
_aNew Delhi _bINTACH _c2016 |
||
300 |
_aix,203 Pages _bHardbound |
||
520 | _aA holistic approach to preserving our cultural heritage so that this legacy remains secure and un-diminished for future generations. Although governed by highly technical processes the key to any successful conservation endeavour remains a cooperative effort between the community and the conservator. Active community participation and stake-holding in the process of conservation enrich it and ensure long-standing relationship between society and heritage. CONSERVATION OF ART is an amalgamation of heritage and material science. | ||
653 | _aRECENT ADVANCES IN CONSERVATION FO ART OBJECTS; CASE STUDIES OF CONSERVATION OF PAINTINGS; NEEDS OF CONSERVATION OF BUDDHIST HERITAGE; NEEDS OF RESEARCH IN CONSERVATION; CONSERVATION NEEDS OF DIFFERENT COUNTRIES; CONSERVATION OF WALL PAINTINGS | ||
700 |
_aSinha, NilabhSingh, Smita _92175 |
||
942 |
_cBK _2ddc |
||
650 |
_aARCHITECTURE CONSERVATION (AR-CONS) _94942 |