000			a
999			_c22266 _d22266
003			OSt
005			20250220113651.0
008			250220b xxu||||| |||| 00| 0 eng d
040			_aAIKTC-KRRC _cAIKTC-KRRC
100			_925287 _aSubramony, Sudha Harihara
245			_aAnalysing sensory dimensions of kerala temple architecture through the lens of rasa theory
250			_aVol.89(11), Nov.
260			_aMumbai _bThe Indian Institute of Architects _c2024
300			_a19-27p.
520			_aThis paper revisits the analysis of Kerala temple architecture through the lens of Rasa Theory, a classical Indian aesthetic framework and explores its sensory implications. Rasa Theory, from Bharata Muni’s Natyashastra, identifies nine Rasas or emotional states—Shringara (love), Hasya (laughter), Karuna (compassion), Raudra (anger), Veera (courage), Bhayanaka (fear), Bibhatsa (disgust), Adbhuta (wonder) and Shanta (peace) that is evoked through artistic expression. The emotions thus experienced are comparable to those lived experiences created by various architectural features and spaces within buildings. Today, buildings are designed and analysed using multiple layers of parameters such as functionality, ergonomics, anthropometrics, universal usage, accessibility, human comfort, and aesthetics to name a few.
650		0	_971 _aARCHITECTURE GENERAL (AR-GEN)
700			_925288 _aMariadass, Vasanthi
773	0		_tJournal of the Indian institute of architects :(JIIA) _dMumbai Indian Institute of Architects _x0019-4913
856			_uhttps://indianinstituteofarchitects.com/pdf/jiia/2024/JIIA_November_2024.pdf _yClick here
942			_2ddc _cAR