000			a
999			_c8473 _d8473
003			OSt
005			20190315095256.0
008			190308b xxu||||| |||| 00| 0 eng d
040			_aAIKTC-KRRC _cAIKTC-KRRC
100			_97936 _aAyers, Andrew
245			_aSecond City _b:M9 Museum District by Sauerbruch Hutton
250			_aVol. 207(2), February,
260			_aNew York _bBNP Media _c2019
300			_a55-64
520			_aMestre, to borrow an architectural metaphor, is the Brick House to Venice’s Glass House. Just as Philip Johnson’s workaday masonry structure houses all the support systems that allow his minimalist crystal box to function, so the municipality of Mestre and its neighboring mainland boroughs—which are officially part of the Comune di Venezia—contain all the gritty bits that permit a major modern port to operate: passenger and container docks, Marco Polo international airport, oil refineries and other industry, not to mention the majority of Venice’s 260,000 inhabitants. But it is of course to the historic center—home to just 51,000 people at the last count—that all the tourists flock: 4.4 million of them in 2017.
650		0	_94942 _aARCHITECTURE CONSERVATION (AR-CONS)
653			_a Italy
653			_aBrick
773	0		_x0003-858X _tArchitectural record _dNewyork McGraw Hill
856			_uhttps://www.architecturalrecord.com/articles/13869-m9-museum-district-by-sauerbruch-hutton _yClick here
942			_2ddc _cAR