Pop art
Language: ENG Publication details: London Thames & Hudson 1966Edition: 1st EdDescription: 216 Pages | Binding - Paperback |ISBN:- 0-500-20052-1
- 740 LIP DDC23
| Item type | Current library | Collection | Call number | Status | Barcode | |
|---|---|---|---|---|---|---|
Books
|
School of Architecture General Stacks | Circulation | 740 LIP (Browse shelf(Opens below)) | Available | A1172 |
Browsing School of Architecture shelves, Shelving location: General Stacks, Collection: Circulation Close shelf browser (Hides shelf browser)
| 729.6 BRO Cozy wood interiors | 730.954 DHA/SHA Footprints of visvakarma | 736.982 BRO/BRO New enclyclopedia of origami and papercraft techniques | 740 LIP Pop art | 740 WON Principles of two dimensional design | 740 WON Principles of form and design | 740.285 TAL Rendering in sketchup |
Pop Art embodied the spirit of the 1960s. Despite its carnival aspects, its orgiastic color and giant scale, it was based on a tough, no-nonsense, no-refinement standard appropriate to its time. Here several critics, each involved in Pop Art, but with different backgrounds, vividly bring the movement to life. Lucy Lippard examines Pop's precursor and related styles, ranging from folk art, Surrealism and Dada, to Assemblage, Rauschenberg and Jasper Johns. Lawrence Alloway contributes a chapter on the development of pop in England; Nancy Marmer considers Californian pop; Nicolas Calas, a member of the Surrealist movement in the 1930s and 40s assesses Pop icons. 187 illus., 18 in color.
There are no comments on this title.