| 000 | 00445nam a2200157Ia 4500 | ||
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| 999 |
_c1475 _d1475 |
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| 003 | OSt | ||
| 005 | 20181220153510.0 | ||
| 008 | 180707s9999 xx 000 0 und d | ||
| 020 | _a0-415-34359-3 | ||
| 040 |
_aAIKTC-KRRC _cAIKTC-KRRC |
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| 041 | _aENG | ||
| 082 |
_a720.954147 _bCHA _2DDC23 |
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| 100 |
_aChattopadhyay, Swati _91425 |
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| 245 | 0 | _aRepresenting Calcutta: modernity, nationalism and the colonial uncanny | |
| 260 |
_aNew York _bRoutledge _c2005 |
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| 300 |
_axvi,314 Pages _bPaperback |
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| 520 | _aRepresenting Calcutta is a spatial history of the colonial city, and addresses the question of modernity that haunts our perception of Calcutta. The book responds to two inter-related concerns about the city. First is the image of Calcutta as the worst case scenario of a Third World city -- the proverbial 'city of dreadful nights.' Second is the changing nature of the city’s public spaces -- the demise of certain forms of urban sociality that has been mourned in recent literature as the passing of Bengali modernity. By examining architecture, city plans, paintings, literature, and official reports through the lens of postcolonial, feminist, and spatial theory, the book explores the conditions of colonialism and anti-colonial nationalism that produced the city as a modern artefact. At the centre of this exploration resides the problem of 'representing' the city, representation understood as description and narration, as well as political representation. In doing so, Chattopadhyay questions the very idea of colonial cities as creations of the colonizers, and the model of colonial cities as dual cities, split in black and white areas, in favour of a more complicated view of the topography. | ||
| 650 | 0 |
_94867 _aARCHITECTURE BY REGION (AR-REG) |
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| 942 |
_cBK _2ddc |
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