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| 005 | 20181029112726.0 | ||
| 008 | 180707s9999 xx 000 0 und d | ||
| 020 | _a0-89096-729-6 | ||
| 040 |
_aAIKTC-KRRC _cAIKTC-KRRC |
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| 041 | _aENG | ||
| 082 |
_a720 _bHAR _2DDC23 |
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| 100 |
_aHartoonian, Gevork _91551 |
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| 245 | 0 | _aModernity and its other: a post-script to contemporary architecture | |
| 250 | _a1st Ed | ||
| 260 |
_aCollege Station _bTexas A&M University press _c1997 |
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| 300 |
_a190 Pages _bHardbound |
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| 440 |
_aCenter for the advancement of architecture and culture- CASA _91552 |
||
| 490 | _aMalcolm Quantrill & Bruce Webb | ||
| 520 | _aThe modern/postmodern debate has been fueled by the appearance of a new world order. And, in the aftermath of sociopolitical events such as the May 1968 student uprising in France, the antiwar movement in the United States, and the collapse of the Berlin Wall, a new set of cultural thematics has emerged. Gevork Hartoonian explores how major postfunctionalist architecture has addressed themes in postmodern culture, and in so doing argues that it is an architecture that should be viewed as historical--the gestalt of social/cultural phenomena--and not merely the product of various stylistic | ||
| 653 | _aPOSTMODERNISM; DOMINO ANDITSTRAJECTORY; LOUISKHANATTHESALKINSTITUTE | ||
| 942 |
_cBK _2ddc |
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| 650 |
_aARCHITECTURE GENERAL (AR-GEN) _971 |
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